Биография андрея адамовича

Очень тяжело оценивать такие произведения, как “Таўсьціла і лешч” Андрея Адамовича. Небольшие по объему, они значительно превосходят по вложенному смысле более развернутые формы повествования.

Три главных героя книги отправляются на рыбалку. Двое из них едут попить пива, время от времени позабрасывать удочку, да хорошо провести время. Третий же едет с одной единственной, очень четкой и ясной …

Зноў на небасхіле сучбелліту ўзышла новая кніга калі не году, то дзесяцігоддзя і імя ёй “Песня пра Цімура”. І зноў ад пафаснасці і прыдыхання некаторых рэцэнзій на гэты твор у мяне пачынае зводзіць сківіцы і вочы закатваюцца ў гару: чарговы шэдэўр, а калі ўжо што-небудзь нармальнае пачытаць можна будзе! На шчасце ў Адамовіча атрымаўся тэкст трохі больш чытэльны, чым у сёлетняга фіналіста …

Andreas Leonhard Roller (in Russia it was called Andrei Adamovich) was born in Regensburg (Germany) in a theatrical family: his father was a famous driver of the stage, uncle accompanist, brothers – theatrical artists. Education got together at the Academy of fine arts and the Polytechnic Institute of Vienna. From 1822 he worked as a machinist scenes in the theatres of Vienna, Munich, Dresden and Berlin. It was in Berlin that finally emerged artistic signature. The strongest influence on him acquainted with the great German architect and designer Karl Friedrich Schinkel (1781-1841), clearly visible even in the later works of the Roller. In 1834, already a famous artist of the romantic academic school, an experienced set designer, a master of stage effects, he was invited to serve in Russia. We can say that with Roller Russian theater has entered into the unified European system of staging: the sets of the Imperial theatres of St. Petersburg and Moscow from the time virtually indistinguishable from the productions of other European theatres. Over 38 years of work in Russia, the artist has produced machines and decorations 63 78 ballets and operas, was first shown on the Russian s